LEAH CHURCHILL

Leah Churchill’s approach to fashion design is rooted in the intersection of functionality and personal narratives. She focuses on utilitarian shapes, turning to historical workwear, military uniform construction and historical garments made for extreme weather conditions to inform her pattern-cutting approach. Creating garments that are timeless and durable both physically and aesthetically is something she continually strives to do, focusing her attention on fit and materiality. 
      Her practice delves into the histories contained within fabrics, exploring how traditional techniques and cultural stories are embedded in textiles. Slow processes like hand quilting, smocking and stitching combined with a focus on sourcing existing fabrics collectively form the core of Leah’s approach. Looking to cloth as a contact within everyone’s lives, garments become vessels for personal and collective memory, embodying the experiences and emotions of their wearers.






SAILOR'S SUIT

Considering the idea of 'silhouette', the Sailor's Suit was made in response to research surrounding the interaction between wind and cloth, the photography of Frank Hurley in the 1930s and sailcloth fabric.


Materials: Reclaimed sailboat sail, hand made stainless steel buckles, reclaimed cotton used to line trouser, handmade ceramic buttons (artists swap, buttons made by ceramicist Eve Gnoyke, @evegnoyke). 




ANNA'S QUILT


Materials: Scrap materials quilted by hand. 
Handmade binding, hand stitched.



SAILOR'S HATS


Materials: deadstock cloth collected over time

Dimensions: One size



IDEAL LIVING


Curated by Megan Waterston
Rory Bennett

Design by
Anna Manfield
Connor O’Donnell Archibald
Megan Waterston

Construction and space design by
Rory Bennett

Bruce Hamilton
Fraser Hamilton












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